CDGIM – Palestrina: Missa Assumpta est Maria & Missa Sicut lilium. CDGIM Digital booklet (PDF) · Giovanni Pierluigi da Palestrina (/ ). Giovanni Pierluigi da Palestrina (/) The Missa Assumpta est Maria, based on his own motet of that name which in turn is based on a short phrase. Peter Phillips directs The Tallis Scholars in two masses by Palestrina. This album won the Gramophone Early Music Award in
|Published (Last):||4 September 2015|
|PDF File Size:||10.45 Mb|
|ePub File Size:||1.21 Mb|
|Price:||Free* [*Free Regsitration Required]|
In the motet the opening point is treated to two complete expositions in leisurely style, and the remaining music is scarcely less elaborately laid out. Giovanni Pierluigi da Palestrina Number of voices: Giovanni Pierluigi da Palestrina.
No Renaissance composer and palesrrina later ones have been as proficient as Palestrina at writing positive, outward-going, major-key music, and in this context Assumpta est Maria represents one of the most important works of the period.
Assumpta est Maria a 5 (Giovanni Pierluigi da Palestrina)
Original text and translations Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur. The musical style of them both supports this too: The first Kyrie, for example, begins with imitation between all the parts but very quickly has settled into alternating harmonically controlled phrases which rely for their effect on being rescored.
Two-part motet, the model for the parody mass of the same name External websites: The parody motet Assumpta est Maria shows the way in its opening bars: Don’t show me this message again. Navigation menu Personal tools Log in Request account. Quia hodie Maria virgo cum Christo regnat in aeternum. These features inevitably transfer themselves to the parody Mass, most obviously in the Gloria and Credo, but also in the shorter movements where greater elaboration was customary.
Die Art der syllabischen Partiturierung, wie man sie zum Beispiel am Anfang des Gloria findet, korrespondiert mit einem der grundlegenden Prinzipien aller reformierten Religionen. Peter Phillips directs The Tallis Scholars in the historic concert celebrating Palestrina’s th anniversary, filmed in the Roman Basilica of Santa Maria Maggiore where the composer sang as a choirboy and later became maestro di c Beethoven and Mozart are possible rivals in this, but with them the process hasn’t been going on for so long.
It was our deliberate intention to pair two works in such contrasting styles from this great master. Retrieved from ” https: Sacred Music in the Renaissance, Vol.
The musical style is noticeably lucid, and although it is not as protracted as some of his very first settings, like Benedicta es caelorumin which he was still clearly learning his trade, there is some exhaustive working of the basic musical material. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
Missa Assumpta est Maria (Palestrina, Giovanni Pierluigi da)
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Seit der Mitte des Assmupta such pieces as the Missa Assumpta est Maria have regularly been performed in recent years in Protestant services where the kind of syllabic setting shown, for example, at the beginning of the Gloria is in line with one of the founding principles of all the reformed religions.
The Tallis Scholars have sung his music more th Two-part motet, the model for the parody mass of the same name.
The brighter sound palestruna high-scored six-voice SSATTB choir produces is then emphasized in the style of the writing, which is more chordal than usual. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Latin text Gaudete et exsultate omnes recti corde.
Assumpta est Maria a 6 (Giovanni Pierluigi da Palestrina) – ChoralWiki
The Mass based on it did not appear until the Fifth Book of —which was about half-way through his Mass publications—but there is every reason to think it a quite early work. Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur.
Es scheint einem Werk auch zugute zu kommen, wenn sich eine attraktive Geschichte darum rankt—die Missa Papae Marcelli hat davon sicher profitiert. February Total duration: It is not essentially that it is a better piece of music than all the other contenders. Transposed down a note. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.
It also seems to help a piece if there is an attractive story to go with it, and the Missa Papae Marcelli has undoubtedly benefited from this. Paestrina page was last edited ezt 27 Septemberat It is the inventiveness of these different sub-divisions of the main choir, constantly grouping and regrouping, and the elastic way in which the text is set, which gives this music its irrepressible character.
Views Read View source View history. It is interesting to follow the historical process by which a work like the Missa Assumpta est Maria becomes so much more famous assumlta any other comparable work of the period.
Similarly in the first Kyrie of the Mass Palestrina states the point twice, while cleverly abbreviating the entries, and all the other movements except the Gloria start with imitation of some kind, even the Credo.
Assumpta est Maria a 5 (Giovanni Pierluigi da Palestrina) – ChoralWiki
Jahrhunderts erschienen von ihr 14 verschiedene Editionen und acht der Assumpta est Maria von denen die erste von Carl Proske besorgt wurde. The recording, made in the Church of St Peter and St Paul, Salle, Norfolk is well assummpta and adds powerfully to these flexible, expressive and beautiful readings’ Gramophone. The more relaxed, more abstract style of such early settings as the Missa Sicut lilium has not mmaria been heard in church services since the first half of the sixteenth century, but it has increasingly attracted a following among concert-goers who pay to hear the music as music, rather than as an adjunct to worship.
The whole aszumpta of reputation in pre-Baroque music rests largely on historical accident and is open to review at any time. Anche lo stile musicale di entrambi i lavori suffraga questa ipotesi: Assumpta est Maria a 6 Composer: Preme sottolineare, poi, che The Tallis Scholars hanno preferito affidarsi ad edizioni appositamente preparate per loro delle messe Sicut liliumNigra sumBenedicta ewt e Nasce la gioja mia.
Hyperion offers both CDs, and downloads in a number of formats. English translation Let all rejoice and be glad with righteous heart, for today the Virgin Mary reigns with Christ for evermore.