Bernhard Heinrich Romberg (November 13, – August 13, ), was a German cellist 1 in B-flat Major, for cello and orchestra; Opus 3, Grand Concerto No. Opus 14, Airs Russes for cello and orchestra; Opus 17, Flute concerto in B minor (Also published as opus 30); Opus 18, Variations et Rondo in E-flat Major for. Buy Concerto for Flute Op. Score () by ROMBERG, B at Orchestra Sheet Music. Romberg, Bernhard Heinrich. Ed. John WionPublished by. Get this from a library! Concerto for flute and orchestra, opus [Bernhard Romberg; John Wion; Elaine Baker, (Pianist)].

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The virtuoso cellist-composers from Luigi Boccherini to David Popper: Find a copy in the library Finding libraries that hold this item After a fanfare-like opening with a full orchestra sound, the entrance of the solo flute is with a phrase that covers a two octave range in a beautifully constructed arc that reaches the upper range before descending two octave over two measures to close. The Development comes as something of a surprise as, while containing numerous technical passages, Romberg uses this area to demonstrate the lyrical capability of the flute.

Some features of WorldCat will not be available. Retrieved 18 March However, Romberg had difficulty understanding some of Beethoven’s musical ideas, and rejected Beethoven’s offer of a cello concerto for him, saying that he primarily performed his own compositions.


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The B and C sections are successively more technically challenging. Problems playing these files? Search WorldCat Find items in libraries near you. Romberg makes reference to its opening motive but soon after offers new virtuosic passages.

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Bernhard Romberg

Please enter the message. Please enter recipient e-mail address es. The placement of a fermata at the end of the A theme is unusual. Subjects Concertos Flute — Solo with piano.

The A theme remains primarily in the upper range of the instrument while the B theme is more expansive in range as well as more varied in rhythm. Romgerg verify that you are not a robot.

Concerto for flute and orchestra, opus 17

Romberg made several innovations in cello design and performance. Cancel Forgot your password? Romberg concertized in Europe and demonstrated prodigious talent at an early age. Advanced Search Find a Library. Romberg is responsible for simplifying cello bernharr to only three clefsthe bass clefthe tenor clef and the treble clef. Please enter your name.

Concerto for flute and orchestra, opus 17 (Musical score, ) []

Rather than ending the movement with a final re-statement of the A theme, Romberg introduces an extended Coda with a new theme and as cconcerto new section marked Allegro non troppo. The E-mail Address es you entered is are not in a valid format.


Here the performer would be best suited to emphasize the half note rather than the quarter as the phrasing is very broad. Home About Help Search. In the Flute Concerto he illustrates familiarity with the newly emerging virtuoso writing for violin, possibly due to the direction of fute of his teachers, and winds, likely due to the influence of his brothers Romgerg, a bassoonist and Gerhard, a clarinetist. Archived from the original on Citations are based on reference standards.

The second theme of the exposition opens with a set of fast triplet passages that descend, in contrast with the ascending fanfare of the A theme. His father, Anton Romberg, played the bassoon and cello and gave Bernhard his first cello lessons. Solo with piano Document Type: This faster tempo enables a final display of virtuosity for the flutist and brings to close a concerto that is more than worthy of a place alongside the major works for the flute.