La rosa y el sauce: canto y piano by Carlos Guastavino · La rosa y el sauce: canto y by Carlos Guastavino; Francisco Silva; S Borton. Musical score. English. La rosa se iba abriendo Abrazada al sauce, El árbol apasionada, La amaba tanto! Pero una niña coqueta Se la ha robado, Y el sauce. Print and download in PDF or MIDI LA ROSA Y EL SAUCE. Partitura para canto y piano.
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Finding libraries that hold this item His compositions were clearly influenced by Argentine folk music.
More like this Similar Items. Songs Medium voice with piano. Please verify that you are not a robot.
Find a copy in the library Finding libraries that hold this item Guastavino published more guuastavino songs for voice and piano, numerous piano solo pieces, choral works, school songs, and chamber music. A small number of his songs are settings of his own texts. Some features of WorldCat will not be available.
Carlos Guastavino – La rosa y el sauce
Given his feeling for melody and lush piano textures, it is not surprising that his songs are a well-established part of the Argentinean cultural landscape. Please enter your name. Cancel Forgot your password?
Guastavino’s stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians in the s. WorldCat is the world’s largest library catalog, helping you find library materials online. Your list has reached the maximum number of items.
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Carlos Guastavino – Wikipedia
Please re-enter recipient e-mail address es. Allow this favorite library to be seen by others Keep this favorite library private. This page was last edited on 4 Novemberat Hyperion offers both CDs, and downloads in a number of formats.
Essay in booklet with the recording Carlos Guastavino: The site is also available in several languages. Don’t show me this message again.
Accessed 11 Feb Silva, Francisco — Musical settings. Search WorldCat Find items in libraries near carlks. Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he really had little need for other income.
La rosa y el sauce = The rose and the willow (Musical score, s) 
His style was quite conservative, always tonal and lusciously romantic. Aguirre’s delicate and intimate piano writing is an especially evident influence on Guastavino. Archived February 27,at the Wayback Machine.