Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . What is the best scale to play over a CMaj7? Most people would say the C Major Scale, but George Russell’s Lydian Chromatic Concept says otherwise. I’ve recently found out about George Russell’s book the Lydian Chromatic Concept of Tonal Organization and I’ve been curious about exactly.
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If he had based his reasoning on higher harmonics, he should have ended up with Lydian b7. These things are now crystal clear. Unlike any other theory of music, Mr.
Lydian Chromatic Concept
Jul 8 ’15 at The Concept is heard in music all around us. Now, of course, there is much more to the Lydian Chromatic Concept than this.
If you happened to read the top of my answer, you would have seen that I said that thr theory “asserts” as in an inference that the lydian scale is more closely aligned to the rudsell, universal properties of sound than the conventional major scale, not that the theory itself states it explicitly. Russell believed that dominant function was the driving force behind all harmonic motion. It is important not to conflate functionality with tonality.
When seven ascending consecutive fifths i. It has existed in a state of continual evolution since the early s. One of the beauties of The Concept is that it is designed for musicians and non-musicians alike.
To find out more about George Russell, click on this link to www. As the player ventures further from the Lydian tonic however and further up the circle of fifthsthe tonal gravity shifts. The Art and Science of Tonal Gravity. The information in the latest edition is truly priceless! I would like to thank Maestro Russell, whose genius and perseverance created this tonal wonderland.
Studies in the World of Musical Improvisationp. I’ve been looking for the same thing. What is the primary difference between the Lydian Chromatic Concept and all other theories of music? The previously released versions of the book have been used to teach the LCCOTO at colleges and universities around the world over the last 40 years. As a full time professional musician and music educator,there were deep things in music that I had grasped aurally but could not explain.
This page was last edited on 30 Octoberat George Russell’s Lydian chromatic concept of tonal organization.
Skip to content Introduction A question or two: Email Required, but never shown. Has the Lydian Chromatic Concept been taught at any established educational institutions? That said, this theory may be used to create tonal, atonal, and pantonal music.
Lydian Chromatic Concept – The Jazz Piano Site
These ideas are critical to understanding the significance of this theory, and are too involved and elaborate to post on this website. So if a Perfect 5th is the strongest non-root interval, we can build up a harmonically strong scale using intervals of Perfect 5ths.
Using C as the Lydian Tonic yields the following note scale with enharmonic respellings: Lydian Chromatic Concept So if a Perfect 5th is the strongest non-root interval, we can build up a harmonically strong scale using intervals of Perfect 5ths.
Volume Two, the completion of the entire work, is currently in development. Home Questions Tags Users Unanswered. What are the extra-musical considerations of the Lydian Chromatic Concept? Rjssell want to come back because everywhere you’ll want to be, George Russell’s music will be heard. When discussing this theory you need to dispense with functional rusell.
Lydian Chromatic Concept of Tonal Organization – Wikipedia
The principal aim of Geofge Concept is to grasp the behavior of all musical activity i. For example, if notes further up the circle of fifths e. What is Tonal Gravity? The other music will be explained as the unfortunate byproducts of primitive non-prescription drugs that dumbed and numbed everyone else.