A book which features images of hundreds of Rams’s products, his sketches and models while it elucidates his design philosophy; Dieter Rams. The definitive reference book on the legacy of Dieter Rams, visualizing and describing the timeless quality of his design philosophy. Dieter Rams has. in the more than 40 years that he spent working at braun, dieter rams established himself as ‘less and more: the design ethos of dieter rams’.
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Then again, many of his products are still in production, and that might just provide the most direct way of experiencing his legacy yourself. The book Less and More. Between text messages and mouse movements, repetitive injuries are on the rise and people spend increasing portions of their days on their increasingly large behinds staring into a CRT tube.
Less and Ideter shows us the possibilities that design opens for both the manufacturer and the consumer as a means of making our lives better through attractive, functional solutions that also save resources. While the book’s title Less and More nearly demands to be mistyped as Less is More, Rams himself cesign his design approach as “Weniger, aber besser,” which translates roughly to “Less, but Better,” but the book remains indicative of its title.
Less and More
In the short blurbs of text that accompany the beautiful product shots, Johnson Rams once explained his design approach in the phrase “Weniger, aber besser” which translates to “Less, but better. December 15, International Release: His elegantly clear visual language not only defined product design for decades, but also our fundamental understanding of what design is and what it etjos and should do.
The list could continue, for almost any picture in the or so color plates in the book.
Good design is environmentally friendly. Already have an account? Adult Content This post contains adult material and may not morr suitable for people under legal age.
While his audio designs were among the most memorable for those of us in North America, his work yhe products of the home was just as profound. The essays do a nice job of describing the circumstances by which the young Rams wound up working at Braun a scant two years before Braun’s products made a splash at the 11th Milan Triennial and wound up the MoMA’s permanent collection shortly thereafter, but as befits any designer, the pictures of his products tell the story just as clearly.
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Please enter your email and we will send an email to reset your password. Designing Universal Knowledge, by Gerlinde Schuller Not so long ago, in the Cameron Crow eighties of “Say Anything,” sitting down to read an encyclopedia or a dictionary would have represented the very pinnacle of uncoolness. Rather than working for Braun, Rams was Braun, since of the 1, products designed during his stay, “Rams, efhos teams in which Rams was a member, designed of them. His work was a litany of what was cool not only in the four decades during which he worked at Braun, but in at least two decades after.
Apart from the rich visual presentation of his designs, the book contains new texts by international design experts that explain how the work was created, describe its timeless quality, and deslgn it into current context. In addition etnos the rich visual presentation of his designs, the book contains new texts by international design experts that explain how the mmore was created, describe its timeless quality, and put it into current context.
Good design is as little design as possible. Overview Description Now available again, ‘Less and More’ is the definitive reference book on the work of Dieter Rams. If the behaviors of our primate relatives are any indication of our pasts, sitting in static Not lesss long ago, in the Cameron Crow eighties of “Say Anything,” sitting if to read an encyclopedia or a dictionary would have represented the very pinnacle of uncoolness.
Username Password Forgot password? Driving Through The Woods of Euphoria. Less and More by Gestalten reveals the design philosophy of Dieter Rams. The Hidden Art of Designers, Illustrators and Creatives just a difter weeks ago, it seemed premature to cover another one so soon, but any drawing teacher would concur: By Robert Blinn – May 08, Book review: Good design is consistent to the last detail.
Less and More. The Design Ethos of Dieter Rams | Klaus Klemp, Keiko Ueki-Polet |
Unfortunately, the exhibit in question was already held at the Suntory Museum in Osaka, Japan She is well acquainted with design developments in both Asia and the Western world and works at the Suntory Museum in Osaka. Perhaps the Osaka show will eventually travel to the States, but if it doesn’t, this book does a pretty good job of covering it.
Now available again, ‘Less and More’ is the definitive reference book on the work of Dieter Rams. His L01 speaker, designed in looks arguably better than the Bose acoustimass speakers that began cropping up in the s.
NAi Booksellers for inspiration and information in the field of architecture, urbanism, landscape and design. Good design is innovative. Good design is durable. Rethinking Sitting, by Peter Opsvik Our collective backs hurt. These days, however, a surfer can view Wikipedia intending to find some pictures of the Chicago World’s Fair and walk away Good design is innovative Good design makes a product useful Good design is aesthetic Good design helps us to understand a product Good design is unobtrusive Good design is honest Good design is long-lasting Good design is consequent to the last detail Good design is concerned with the environment Good design is as little design as possible.
His elegantly clear visual language not only defined product design for decades, but also our fundamental understanding of what design is and what it can and should do. The interior of the book alternates between thick pages with juicy product shots and dense essays written in Japanese and English on diaphanous paper.
The book itself demanded to be treated delicately and the process of reading it felt more reverent than functional. Even though it was given the epithet of “Snow White’s Coffin” when it was released inits white lines and radiuses, along with its raised circular turntable and plexiglass lid, are all owed debts by everything from the iPod to, well, the iMac.