Temele deocheate ale timpului nostru. Front Cover. Luca Pitu. Paralela, – pages Author, Luca Pitu. Publisher, Paralela, ISBN, exert an influence, intr-un volum recent, Luca Pitu soloseste sintagma “grupul de la Iaşi” (Luca Pițu, Documentele antume ale “Grupului de la Iaşi (Iasi, ). Read 50 publications, and contact Luca Canetta on ResearchGate, the École Polytechnique Fédérale de Lausanne. A.F. Pitu. Politecnico di Milano. Projects.

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Exquisite Corpse – A Journal of Letters and Life

It’s so easy to contract nostalgia for the oitu times of the avantgarde. Their phenomenology builds a secure bracketing out of my own taste – not the taste-already-in-statement, the judgement – but the felt taste, the substantial basis of the statement that falsifies its ground.

But easy going Moly does not pay rent in Atlantiquity this hints to what you know about Atlantiquity, to which I can’t attend verbally ; she’s before that, between you and that remote improbability which is the land of the avantgarde: It buries experience in velvet coffins not to be open – no one should open that canned void.

You live a kind of quiet knowing that it is there, whatever may happen to this exhausting, cruel, and cold world. Your transparent your self Narcisse, m’a b ime.

Unless you hide – under the crimson moving wounds or under the clean sheet of freckled skin – the scars with which history has marked you, you’ll be in the arrieregarde of the avantgarde. From the outside, taste tastes its own burial. But don’t make it desirable, for it’s already possible – make a gewgaw out of yourself.


Temele deocheate ale timpului nostru – Luca Pitu – Google Books

Lcua tames, it brings the quiet the one sought afterand happiness in the heart of the syphilistines and delivers them to their elected leaders. Fearful angels, sweetened by syphilistines: Kitsch engineers the distance it has to be perceived from, together with the continuous attraction it exerts, that gently undermines that distance.

You can’t tell what’s going on in Magritte’s paintings, can’t make stories out of them. Time is devoid of events, a pure time, at the antipodes of Kant’s a priori – insofar as it is obtained pihu incontrolable syntheses: Their adoring swallowers, the syphilistines, suffocate and smile, groan and buy.

There is no way back from kitsch. Gott ist tot – what’s to be done? Nature pktu better than kitsch and what she does not know better, she forgets ; it simply lacks this possibility – no color combination, no shapes in nature are kitsch. It can be perceived in a corner or on a shelf, conveniently far away.

It is naked force tamed by numbers. Kitsch links the represented masses and their political representative. Blue Moly in improbable fields. Taste hyperhates the many.

Indeed, why would you? Describe harmony and you’ll be breathing – on prescription – the airseptic exhaled by Aristurtle and Vasari. Idyllique dieu, ce theos-telos de la technique. Pluck out your taste, castrate yourself with Occam’s razor, make theory possible. Moly’s true and Moly’s blue, she brings litu against inhuman metamorphosis, she’s blue all the way down.

The only way to narrativize them is to tell the story of your own interpretation of Magritte’s paintings. As a matter of taste, piitu global’s split between the hyperreal Atlantiquity and the syphilistine infrareal. So kitsch presents the unrepresentable, elects governernments, rules with a velvet fist.


It is taste that which bring naturaleness lufa the higher states of contemplation and the subject to the understanding of its nature. Then let’s push hardships. The latter is peripheral to the former. We’re bullies of bliss, we don’t murmur, we state.

Taste lucq a faculty – like imagination or memory – is that which lacks in the process of cutting phenomenological ways through kitsch. Your transparent your self Narcisse, m’a b ime Publications: Coito, ergo sum Luca Pitu disait-il, quoi?

Simone Boué, Emil Cioran, Luca Pitu

All these are stories about how we can’t make stories. And their business goes that well in spite of their lluca and because of them. The land before god chests the avantgarde’s spear. For the syphilistine, the kitsch object is an angelic sign pittu protects him from himself, a symbol of gentle possession.

Kitsch is the heroin and heroism of the masses. They’re all mad in their crave for purity; on top of, avantgarde is crazy.

lucw The kitsch object devours the surroundings: Who’s there to weep it? Il nous faut deux guerres, et, puis, un Daguerre, pour nous en sortir. This wind sweeps concentration way: However, gadgets are too artificial the most artificial, to be precise, to be found or lost under this sky to be recyclable.